La partie continue 2
Group show
Exhibition view La partie continue 2, Centre d’art contemporain d’Ivry – le Crédac, 2004 Véronique Joumard, Sans titre (série des : tableaux lumière), 1990. Coll. FRAC Pays de la Loire. Véronique Joumard, Peinture thermosensible, 2002/2004. Jens Wolf, Sans titre, 2003. Courtesy galerie Alimentation Générale, Luxembourg. © Photo : André Morin / le Crédac
Exhibition view La partie continue 2, Centre d’art contemporain d’Ivry – le Crédac, 2004 Delphine Coindet, Pendant 1, 2003. Jens Wolf, Sans titre, 2003. Courtesy galerie Alimentation Générale, Luxembourg. Mathieu Mercier, Sans titre, 2003. Courtesy galerie Chez Valentin, Paris. © Photo : André Morin / le Crédac
Exhibition view La partie continue 2, Centre d’art contemporain d’Ivry – le Crédac, 2004 Ivan Fayard, El Pesedos, 2004. Didier Rittener, Sans titre, 2003. Jens Wolf, Sans titre, 2003. Courtesy galerie Alimentation Générale, Luxembourg. © Photo : Ivan Fayard / André Morin / le Crédac
Exhibition view La partie continue 2, Centre d’art contemporain d’Ivry – le Crédac, 2004 John Tremblay, Disco Up, 1998. Coll. FRAC Poitou Charentes Didier Rittener, Autre part, 2004. Didier Rittener, Sans titre, 2003. © Photo : André Morin / le Crédac
Exhibition view La partie continue 2, Centre d’art contemporain d’Ivry – le Crédac, 2004 Jens Wolf, Sans titre, 2002. Courtesy galerie Aline Vidal, Paris Martin Boyce, Chair frame (for a garden), 2003. Courtesy Art : concept, Paris © Photo : André Morin / le Crédac
Exhibition view La partie continue 2, Centre d’art contemporain d’Ivry – le Crédac, 2004 John Tremblay, Curved air, 1998. Coll. FRAC Poitou Charentes. Sylvie Fanchon, Peinture extraites, 2003/2004. © Photo : André Morin / le Crédac
Exhibition view La partie continue 2, Centre d’art contemporain d’Ivry – le Crédac, 2004 John Tremblay, Curved air, 1998. Coll. FRAC Poitou Charentes. Ivan Fayard, El Pesedos, 2004. Sylvie Fanchon, Peinture extraites, 2003/2004. © Photo : Ivan Fayard / André Morin / le Crédac
Artists: Martin Boyce, Delphine Coindet, Sylvie Fanchon, Ivan Fayard, Véronique Joumard, Mathieu Mercier, Daniel Perrier, Anselm Reyle, Didier Rittener, John Tremblay, Jens Wolf
In November 2003, I inaugurated my artistic project for the Crédac with a group exhibition entitled La partie continue 1 (Karina Bisch, Stéphane Calais, Nicolas Chardon, Philippe Decrauzat, Barbara Gallucci, Jacques Julien, Didier Marcel, Mathieu Mercier, François Morellet, Olivier Mosset, Christian Robert-Tissot).
The title of this project carries several meanings: the part continues at Crédac, the part continues for the history of art, the part continues…really.
Originality, authenticity, continuity, are they still issues for art? Many artists today, informed, cultivated and aware, see historical forms as a vast database available which they are reactivating.
In the same way, they quote, replay, refer to, vary, recycle, combine filiations and manage to modify artistic creation significantly. Art is also nourished by art.
This exhibition is seen as a device: that is, made up of heterogeneous elements functioning as so many distinct points of view and peculiarities, in an attempt to establish a connection between the individual works, within the overall context of the whole.
Paintings, murals, drawings, sculptures, mobile objects are the elements.
Claire Le Restif
Video(s)
Film of the exhibition © Claire Le Restif / le Crédac
