Entretien croisé nº2
Corentin Canesson, Sarah Tritz
Sarah Tritz, une adresse particulière (drawing mail art #studiesaboutlove #studiesaboutmeandpeople), 2020, coloured pencil and pen on paper. © Sarah Tritz / ADAGP, Paris, 2021.
Sarah Tritz, une adresse particulière (drawing mail art #studiesaboutlove #studiesaboutmeandpeople), 2020, coloured pencil and pen on paper. © Sarah Tritz / ADAGP, Paris, 2021.
Sarah Tritz, Le Moche, 2014, painted aluminium, steel, ropes. Exhibition view L’oeuf et les sandales, Parc Saint Léger, Centre d’art contemporain, from March 15th to May 15th 2014. Photo : Aurélien Mole. © Sarah Tritz / ADAGP, Paris, 2021.
Sarah Tritz, Sainte Sébastien, 2011. Exhibition view Une femme de trente ans, Florent Tosin gallery, Berlin, 2011.© Sarah Tritz / ADAGP, Paris, 2021.
Exhibition view Sarah Tritz, Capriccio cherche comtesse, Bétonsalon - Centre d’art et de recherche, Paris, from March 15th to May 17th 2008. Photo : Aurélien Mole. © Sarah Tritz / ADAGP, Paris, 2021.
Sarah Tritz, My Jacket n°1 (YOU UOY), 2020. © Sarah Tritz / ADAGP, Paris, 2021.
Exhibition view Une année passa et la Comtesse de Marseille songeait encore à ce jeune marin, aux aventures, mais aussi aux épreuves qu’il devait traverser. Voyait-il enfin le monde en sa vérité ? Etait-ce là, la vie comme il la voulait ?, Sarah Tritz and Abdelkader Benchamma. Friche la Belle de Mai gallery, Marseille, from March 30th to April 28th 2007. Photo : J.C. Lett. © Sarah Tritz / ADAGP, Paris, 2021.
Sarah Tritz, Pizsex Lèche (Theater Computer), 2019 (face). Exhibition view J’aime le rose pâle et les femmes ingrates Sarah Tritz and 29 guest artists, Centre d’art contemporain d’Ivry – le Crédac, from September 13th to December 15th 2019. Photo : André Morin / le Crédac. © Sarah Tritz / ADAGP, Paris, 2021.
Sarah Tritz, Pizsex Lèche (Theater Computer), 2019 (dos). Exhibition view J’aime le rose pâle et les femmes ingrates Sarah Tritz and 29 guest artists, Centre d’art contemporain d’Ivry – le Crédac, from September 13th to December 15th 2019. Photo : André Morin / le Crédac. © Sarah Tritz / ADAGP, Paris, 2021.
Sarah Tritz, You’d lay your tongue across my art, 2020, biscuits ; Doucement, 2020, fur, leather, filling. Exhibition view La vie des tables, Centre d’art contemporain d’Ivry – le Crédac, Photo : Marc Domage. © Sarah Tritz / ADAGP, Paris, 2021.
Exhibition view J’aime le rose pâle et les femmes ingrates Sarah Tritz and 29 guest artists, Centre d’art contemporain d’Ivry – le Crédac, from September 13th to December 15th 2019. Photo : André Morin / le Crédac. © Sarah Tritz / ADAGP, Paris, 2021.
Sarah Tritz, Artist mum teacher (Life is a long journey), 2019, coloured pencil on paper. © Sarah Tritz / ADAGP, Paris, 2021.
Corentin Canesson conducts this second Entretien croisé (Cross interview) in Sarah Tritz’s studio.
Corentin Canesson begins this interview on the “amateur/professional” dichotomy (in reference to the work of Ana Jotta presented in La vie des tables) to invite Sarah Tritz to evoke her influences that extend beyond modern and contemporary art, such as art brut, folk and popular art, the childlike gesture, and how they nourish her work. She explains how she weaves a link between these forms by appropriating them, and underlines her taste for freedom and carefree gesture, particularly through addressed works.
They also evoke their relationship to the curatorial experience they share, and the pleasure they derive from it, as well as the political dimension of their respective work, which may not be perceived as obvious, but which they underline notably through transmission and teaching, and with regard to the current context.
Sound(s)
Entretien croisé nº2 : Corentin Canesson & Sarah Tritz
