Le Crédac

Promenade dans l'oeuvre de Bruno Pélassy

Didier Bisson

“We will take a spiral path marked with cuts. Spirals as a figure of transgression. Cuts as a sign of castration. The visit will be punctuated by layings reminiscent of those of the wreaths in homage to the dead, or stones of other Thumb. Like flowers, or like stones reminding us of the missing artist, objects will be added to the exhibition step by step and will thus mark out an itinerary proposing an interpretation of his work from the angle of the interweaving of different reading grids, in a contemporary echo of the Mannerism that blossomed at the end of the Renaissance. »

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